{"id":25298,"date":"2026-01-08T15:09:35","date_gmt":"2026-01-08T13:09:35","guid":{"rendered":"https:\/\/norrlandsoperan.se\/programblad\/bortz-and-mozart\/"},"modified":"2026-10-29T13:16:00","modified_gmt":"2026-10-29T11:16:00","slug":"bortz-and-mozart","status":"publish","type":"program","link":"https:\/\/norrlandsoperan.se\/en\/programblad\/bortz-and-mozart\/","title":{"rendered":"B\u00f6rtz and Mozart"},"content":{"rendered":"<div class='no-program-container'> <div class='no-program-sidebar row w-100 m-0 justify-content-center '><div class='col-12 col-lg-6 p-0'><nav class='nav nav-tabs program-type-nav-tabs' id='program-type-nav-tab' role='tablist'><button class='nav-link program-type-nav-link active' id='nav-program-tab' data-bs-toggle='tab' data-bs-target='#nav-program-menu' data-linked-tab='#tab-program-content' type='button' role='tab' aria-controls='nav-program-menu tab-program-content' aria-selected='1'><span class='nav-link-text'><h5 class='mb-0'>Program<\/h5><\/span><\/button><button class='nav-link program-type-nav-link' id='nav-medverkande-tab' data-bs-toggle='tab' data-bs-target='#nav-medverkande-menu' data-linked-tab='#tab-medverkande-content' type='button' role='tab' aria-controls='nav-medverkande-menu tab-medverkande-content' aria-selected=''><span class='nav-link-text'><h5 class='mb-0'>Cast<\/h5><\/span><\/button><\/nav><\/div><\/div>\n            <div class='row w-100 m-0 justify-content-center'>\n                <div class='tab-content no-program-content col-12 col-lg-6 pt-24 pb-80 pt-lg-32  more-items' id='program-content'>\n                    <div class='no-program-type-content tab-pane fade active show' id='tab-program-content' role='tabpanel' aria-labelledby='nav-program-tab' tabindex='0'>\n        <div class='tab-content accordion accordion-flush' id='nav-program-content'>\n              <div class='tab-pane fade show active accordion-item no-program-item-accordion' id='tab-program-25288-content' role='tabpanel' aria-labelledby='nav-program-tab-25288' tabindex='0'>\n            <div id='collapse-25288' class='accordion-collapse collapse d-block' aria-labelledby='heading-25288' data-bs-parent='#nav-program-content'>\n                <div class='no-program-item-accordion-body accordion-body'>\n                \n<section class=\"wp-block-noor-blocks-section nb-section position-relative  pb-48 pb-lg-64\">\n<div class=\"wp-block-noor-blocks-container nb-container container-fluid\">\n<div class=\"wp-block-noor-blocks-row nb-row row\">\n<div class=\"wp-block-noor-blocks-column col nb-column col-12\">\n<div class=\"wp-block-noor-blocks-group nb-group  px-sm-8 pe-lg-32 ps-lg-0\">\n<h2 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h2 my-24 my-md-32 my-lg-48  no-bottom-line content-animation\">Program<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Benjamin Staern:<\/strong> <em>The Eternal<\/em>, 11 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Daniel B\u00f6rtz:<\/strong> <em>Double Concerto for One<\/em>, 25 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I. I<br\/>II. II<br\/>III. III<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>30-minute break<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Nina \u0160enk:<\/strong> <em>*Impulses*<\/em>, 7 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>W. A. Mozart:<\/strong> <em>Symphony No. 39<\/em>, 29 min<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">I. Adagio \u2013 Allegro<br\/>II. Andante con moto<br\/>III. Menuetto: Allegretto<br\/>IV. Allegro<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-noor-blocks-group nb-group  px-sm-8 pe-lg-32 ps-lg-0\">\n<h2 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h2 my-24 my-md-32 my-lg-48  no-bottom-line content-animation\">More about the concert<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">DOUBLE FEATURE IN SWEDISH MUSIC<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>World premiere of Benjamin Stearns\u2019 <em>*Det Eviga* (The Eternal<\/em>), inspired by Tegn\u00e9r\u2019s poem of the same name. Plus, breathtaking violin artistry by Malm\u00f6 native Daniel B\u00f6rtz. All under the baton of the highly sought-after Simon Crawford-Philips, with Malin Broman as the evening\u2019s violin and viola soloist.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The world premiere of Benjamin Staern&#8217;s orchestral piece  <em>The Eternal,  <\/em>Commissioned by the Norrlands Opera, this exuberant concert opens with a focus on Swedish music. Staern, whom many will recognize from the TV show  <em>Counterpoint,<\/em>  has become famous for his hypnotic soundscapes. His music is as unpredictable as it is instantly recognizable. Perhaps this is due to his color-coded way of experiencing music. In several interviews, he has described how colors make him hear notes and how different pitches, in turn, signal a color to his inner self. The adjective \u201ctimbre,\u201d commonly used in music criticism, thus takes on an almost literal meaning in Stearn\u2019s work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>*Det Eviga*<\/em> is a symphonic work commissioned by the Norrlandsoperan Symphony Orchestra, in which music and poetry come together in a sonic reflection on the passage of time and the enduring aspects of existence. Inspired by Esaias Tegn\u00e9r\u2019s poem <em>*Det Eviga*<\/em>, the music embodies its central themes\u2014transience, change, and the <em>eternal things <\/em>that transcend all human decay. Art, music, the spirit. The work is dedicated to the memory of conductor and composer Leif Segerstam, one of the Nordic region\u2019s most distinctive musical figures. Through <em>*Det Eviga*,<\/em> Staern says in an interview, he sought to create a tribute that looks not only backward but also forward\u2014a sonic meditation on the immortality of art.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Following the premiere of  <em>The Eternal  <\/em>it takes on an even more Swedish character. This time, it\u2019s the soon-to-be 83-year-old Daniel B\u00f6rtz. The Malm\u00f6 native is known for his musical integrity, his artistic, open-minded approach, and his often poignant musical language in the true spirit of Bruckner. This evening, we\u2019ll hear his  <em>Double Concert for One,  <\/em>written specifically for Malin Broman. The concerto is structured so that it alternates between the violin and the viola from movement to movement. The viola takes the lead in the outer movements, while the violin dominates the middle movement. In interviews, B\u00f6rtz explains how Broman, through her skillful and expressive playing, inspired him to write the piece. He finally had the opportunity to write a piece for two instruments he truly loves\u2014two that he describes as \u201cfantastic sources of sound.\u201d  <em>&#8220;Double Concerto for One<\/em> &#8221; is a melodious and dramatic piece of music that does not shy away from its inherent showmanship but, as always with B\u00f6rtz, retains its artistry.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">After the intermission, the program features a short orchestral piece, <em>*Impulses*<\/em> (2018), composed by Slovenian composer Nina \u0160enk, who is renowned for her poetically evocative musical language and playful nods to music history. She has received several awards and been praised for her ability to experiment with the orchestra\u2019s tonal palette and create innovative soundscapes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The evening concludes, fittingly enough, with one of the great symphonies of the Western musical tradition: Wolfgang Amadeus Mozart\u2019s Symphony No. 30, under Crawford-Phillips\u2019s dynamic direction. Mozart\u2019s Symphony in E-flat major is the first of his three famous late symphonies, all composed in the summer of 1788\u2014not long before his all-too-early death in December 1791. Mozart was suffering from a series of personal problems; his finances were meager, and his debts were piling up. However, none of this is evident in Symphony No. 30, a bright and lyrical symphony. The oboes have been omitted from the score in favor of the clarinets, which explains the slightly higher-pitched sound. And so the program concludes with Mozart\u2019s lively, summery symphony\u2014something to let your mind wander to amid the darkness of January.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-noor-blocks-group nb-group  px-sm-8 pe-lg-32 ps-lg-0\">\n<h2 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h2 my-24 my-md-32 my-lg-48  no-bottom-line content-animation\">More about the commissioned work *The Eternal*<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Benjamin Staern found inspiration for <em>*Det Eviga*<\/em> in Esaias Tegn\u00e9r\u2019s poem of the same title. Esaias Tegn\u00e9r lived from 1782 to 1846, and the poem *Det Eviga* was written in 1810.<\/strong><\/p>\n\n\n\n<div style=\"height:14px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Eternal<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The mighty one shapes his world with his sword,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">and his fame soars like eagles;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">but someday that wandering sword will be broken,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">and the eagles fall from the sky.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Whatever violence may create is precarious and fleeting;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">it dies away like a storm wind in the desert.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">But the truth lives on. Amid axes and swords,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">she stands serene, her brow radiant.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">She guides us through the nocturnal world,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">and ever points toward another.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The truth is eternal: throughout heaven and earth,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">its words echo from generation to generation.<br\/><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">What is right is eternal: it will not be uprooted there<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">from the earth, its trampled lily.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Even if evil should ultimately conquer the whole world,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">you may still will what is right.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Though it be persecuted outside of you with cunning and violence,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">it has its refuge hidden in your heart.<br\/><\/p>\n\n\n\n<div style=\"height:23px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">And the will, once locked within a burning breast,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">takes on manhood, like God, and becomes action.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">What is right gains strength, what is true gains a voice,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">and the peoples rise up to be transformed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The sacrifices you made, the dangers you faced,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">they rise like stars from Lethe.<\/p>\n\n\n\n<div style=\"height:15px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/section>\n\n                <\/div>\n            <\/div>\n        <\/div>\n        <\/div>\n    <\/div><div class='tab-pane fade' id='tab-medverkande-content' role='tabpanel' aria-labelledby='nav-medverkande-tab' tabindex='0'>\n        <div class='tab-content accordion accordion-flush' id='nav-medverkande-content'>\n              <div class='tab-pane fade show active accordion-item no-program-item-accordion' id='tab-medverkande-25296-content' role='tabpanel' aria-labelledby='nav-medverkande-tab-25296' tabindex='0'>\n            <div id='collapse-25296' class='accordion-collapse collapse d-block' aria-labelledby='heading-25296' data-bs-parent='#nav-medverkande-content'>\n                <div class='no-program-item-accordion-body accordion-body'>\n                \n<h3 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h3\">The Musicians<\/h3>\n\n<div id=\"no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4\" class=\"wp-block-norrlandsoperan-blocks-accordion no-accordion accordion accordion-flush row w-100 m-0\">\n<div class=\"wp-block-norrlandsoperan-blocks-accordion-item accordion-item\"><div class=\"no-accordion-header\"><button class=\"no-accordion-button collapsed\" type=\"button\" data-bs-toggle=\"collapse\" data-bs-target=\"#no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4-0\" aria-expanded=\"false\" aria-controls=\"no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4-0\"><img decoding=\"async\" class=\"no-accordion-header-img\" src=\"https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2026\/01\/2025_SCP_Photo_Simon-Crawford-Phillips-67_Credit-Matthew-Johnson.jpg\" alt=\"Conductor: Simon Crawford-Phillips\"\/><span class=\"accordion-button-text\">Conductor: Simon Crawford-Phillips<\/span><span class=\"accordion-button-icon\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 32 32\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M7.99821 16C7.99821 15.7347 8.10357 15.4804 8.2911 15.2929C8.47864 15.1053 8.733 15 8.99821 15L20.5842 15L16.2902 10.708C16.1972 10.615 16.1235 10.5046 16.0732 10.3831C16.0228 10.2616 15.9969 10.1314 15.9969 9.99996C15.9969 9.86847 16.0228 9.73827 16.0732 9.61679C16.1235 9.49531 16.1972 9.38494 16.2902 9.29196C16.3832 9.19898 16.4936 9.12523 16.615 9.07491C16.7365 9.02459 16.8667 8.9987 16.9982 8.9987C17.1297 8.9987 17.2599 9.02459 17.3814 9.07491C17.5029 9.12523 17.6132 9.19898 17.7062 9.29196L23.7062 15.292C23.7993 15.3848 23.8732 15.4952 23.9236 15.6167C23.9741 15.7382 24 15.8684 24 16C24 16.1315 23.9741 16.2617 23.9236 16.3832C23.8732 16.5047 23.7993 16.6151 23.7062 16.708L17.7062 22.708C17.5184 22.8957 17.2638 23.0012 16.9982 23.0012C16.7327 23.0012 16.478 22.8957 16.2902 22.708C16.1024 22.5202 15.997 22.2655 15.997 22C15.997 21.7344 16.1024 21.4797 16.2902 21.292L20.5842 17L8.99821 17C8.733 17 8.47864 16.8946 8.2911 16.7071C8.10357 16.5195 7.99821 16.2652 7.99821 16Z\" fill=\"currentColor\"><\/path><\/svg><\/span><\/button><\/div><div id=\"no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4-0\" class=\"accordion-collapse position-relative collapse\" data-bs-parent=\"#no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4\"><div class=\"no-accordion-body\">\n<div class=\"wp-block-noor-blocks-group nb-group  py-32\">\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Simon Crawford-Phillips has built a unique career as a conductor, pianist, and creative programmer.<br><br>He has served as chief conductor of the V\u00e4ster\u00e5s Sinfonietta (2016\u20132028) and, in 2023, made a critically acclaimed debut at the Royal Swedish Opera in Stockholm with Britten\u2019s <em>*A Midsummer Night\u2019s Dream<\/em>*. In 2025, Simon was appointed artistic director of the Swedish National Orchestral Academy (SNOA) at the University of Gothenburg. Simon\u2019s innovative and eclectic programming is reflected in an unusually varied career and a passion for promoting contemporary and undiscovered repertoire.<br><br>Simon\u2019s chamber ensembles include The Nash Ensemble (where he serves as artistic director alongside Adrian Brendel), the Kungsbacka Piano Trio, and the Stockholm Syndrome Ensemble. He is the artistic director of the Change Music Festival in Sweden, co-artistic director of the Wye Valley Chamber Music Festival, and has led his own series, <em>\u201cMusikalisk M\u00f6ten<\/em>,\u201d at the unique <em>Musikaliska Kvarteret<\/em> \u2014Stockholm\u2019s oldest concert hall!<br><br>With a particular focus on Italian opera, he frequently collaborates with renowned institutions such as the Teatro Regio di Torino, the Teatro Filarmonico di Verona, the Teatro del Maggio Musicale Fiorentino, Teatro Comunale di Bologna, and the Rossini Opera Festival in Pesaro, where he is recognized as a skilled interpreter of the bel canto repertoire.  <br><br>World premieres have included B\u00f6rtz\u2019s violin concerto <em>*Concerto for One*<\/em> with Malin Broman and the Norrk\u00f6ping Symphony Orchestra, Djuro Zivkovic\u2019s violin concerto with Pekka Kuusisto and the Swedish Chamber Orchestra, as well as the world premiere of a new double concerto with the Tapiola Sinfonietta by Finnish composer Sauli Zinovjev, written for Simon and Hugo Ticciati. Simon values every opportunity to collaborate directly with composers and has had the privilege of working with Britta Bystr\u00f6m, Sofia Gubaidulina, Simon Holt, Colin Matthews, Steve Reich, Mark-Anthony Turnage, and Huw Watkins.<br><br><br><\/p>\n\n\n\n<picture class=\"wp-block-noor-blocks-image nb-mask nb-image\" style=\"width:300px;height:200px\"><img src=\"https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2026\/01\/2025_SCP_Photo_Simon-Crawford-Phillips-67_Credit-Matthew-Johnson.jpg\" loading=\"eager\" decoding=\"async\" srcset=\"https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2026\/01\/2025_SCP_Photo_Simon-Crawford-Phillips-67_Credit-Matthew-Johnson.jpg 1300w, https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2026\/01\/2025_SCP_Photo_Simon-Crawford-Phillips-67_Credit-Matthew-Johnson-1024x683.jpg 1024w, https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2026\/01\/2025_SCP_Photo_Simon-Crawford-Phillips-67_Credit-Matthew-Johnson-150x150.jpg 150w, https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2026\/01\/2025_SCP_Photo_Simon-Crawford-Phillips-67_Credit-Matthew-Johnson-300x200.jpg 300w\" sizes=\"(max-width: 300px) 100vw, 300px\" class=\" object-fit-contain object-position-center\"><\/picture>\n<\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-norrlandsoperan-blocks-accordion-item accordion-item\"><div class=\"no-accordion-header\"><button class=\"no-accordion-button collapsed\" type=\"button\" data-bs-toggle=\"collapse\" data-bs-target=\"#no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4-1\" aria-expanded=\"false\" aria-controls=\"no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4-1\"><img decoding=\"async\" class=\"no-accordion-header-img\" src=\"https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2025\/08\/malinb_MB-4031_web.jpg\" alt=\"Soloist: Malin Broman\"\/><span class=\"accordion-button-text\">Soloist: Malin Broman<\/span><span class=\"accordion-button-icon\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 32 32\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M7.99821 16C7.99821 15.7347 8.10357 15.4804 8.2911 15.2929C8.47864 15.1053 8.733 15 8.99821 15L20.5842 15L16.2902 10.708C16.1972 10.615 16.1235 10.5046 16.0732 10.3831C16.0228 10.2616 15.9969 10.1314 15.9969 9.99996C15.9969 9.86847 16.0228 9.73827 16.0732 9.61679C16.1235 9.49531 16.1972 9.38494 16.2902 9.29196C16.3832 9.19898 16.4936 9.12523 16.615 9.07491C16.7365 9.02459 16.8667 8.9987 16.9982 8.9987C17.1297 8.9987 17.2599 9.02459 17.3814 9.07491C17.5029 9.12523 17.6132 9.19898 17.7062 9.29196L23.7062 15.292C23.7993 15.3848 23.8732 15.4952 23.9236 15.6167C23.9741 15.7382 24 15.8684 24 16C24 16.1315 23.9741 16.2617 23.9236 16.3832C23.8732 16.5047 23.7993 16.6151 23.7062 16.708L17.7062 22.708C17.5184 22.8957 17.2638 23.0012 16.9982 23.0012C16.7327 23.0012 16.478 22.8957 16.2902 22.708C16.1024 22.5202 15.997 22.2655 15.997 22C15.997 21.7344 16.1024 21.4797 16.2902 21.292L20.5842 17L8.99821 17C8.733 17 8.47864 16.8946 8.2911 16.7071C8.10357 16.5195 7.99821 16.2652 7.99821 16Z\" fill=\"currentColor\"><\/path><\/svg><\/span><\/button><\/div><div id=\"no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4-1\" class=\"accordion-collapse position-relative collapse\" data-bs-parent=\"#no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4\"><div class=\"no-accordion-body\">\n<div class=\"wp-block-noor-blocks-group nb-group  py-32\">\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Malin Broman is in high demand as an artistic director, soloist, and chamber musician. Born in Sweden, Malin completed her studies in London with David Takeno. As a passionate chamber musician, she has toured and recorded numerous albums as a member of the Kungsbacka Piano Trio, the Stockholm Syndrome Ensemble, and the Nash Ensemble of London. In 2008, Malin was appointed concertmaster of the Swedish Radio Symphony Orchestra (the youngest in the orchestra\u2019s history). Since then, she has performed Brahms\u2019s Double Concerto with Steven Isserlis under the baton of Daniel Harding, received rave reviews for her recording of Nielsen\u2019s Violin Concerto, and premiered violin concertos written for her by composers including Helen Grime, Sally Beamish, Daniel B\u00f6rtz, Britta Bystr\u00f6m, Andrea Tarrodi, Daniel Nelson, and Jesper Nordin.<br><br>In addition to regularly conducting the Swedish Radio Symphony Orchestra, she now devotes more time to her work as a musical director and soloist. In that role, she has performed with, among others, the Tapiola Sinfonietta, the Helsingborg Symphony Orchestra, the Norwegian Chamber Orchestra, the ACO Collective (Australia), the Scottish Ensemble, and the Tampere Symphony Orchestra, and has collaborated with artists such as Pekka Kuusisto, Janine Jansen, and Peter Mattei. Upcoming engagements include performances with the Iceland Symphony Orchestra, the Amsterdam Sinfonietta, and the Helsinki Philharmonic Orchestra.<br><br>Malin is currently the artistic director of the Nordic Chamber Orchestra and the Ostrobothnian Chamber Orchestra in Finland, where she succeeded Sakari Oramo, During the pandemic lockdown, her <a href=\"https:\/\/eur03.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fwww.youtube.com%2Fwatch%3Fv%3DKWwLSsfdmNk&#038;data=05%7C02%7Csusanne.aschan%40norrlandsoperan.se%7C74ef05ce5b914bc067e308de51ae10ff%7C72e8a51c7e7d41889567a08b7672027c%7C0%7C0%7C639038005222364389%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&#038;sdata=RcCg%2FBfXQFHHgIgmBfCtRb4HhdRiTes4ZESPSvLyFcs%3D&#038;reserved=0\">YouTube video of Mendelssohn\u2019s Octet<\/a>\u2014in which Malin plays all eight parts\u2014went viral. <br\/>Be sure to also listen to <a href=\"https:\/\/eur03.safelinks.protection.outlook.com\/?url=https%3A%2F%2Fopen.spotify.com%2Fepisode%2F4PYhLbpj0NasCF10jAgIfg%3Fsi%3D578a40cd5f0049cf%26nd%3D1%26dlsi%3D454f51007978419e&#038;data=05%7C02%7Csusanne.aschan%40norrlandsoperan.se%7C74ef05ce5b914bc067e308de51ae10ff%7C72e8a51c7e7d41889567a08b7672027c%7C0%7C0%7C639038005222409109%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&#038;sdata=lvJDh%2B4cheqwbPS%2BlQ6MAesD0krmaafzEKcRwUnEtiY%3D&#038;reserved=0\">Malin\u2019s 2021 \u201cSommarprat\u201d interview on P1<\/a>.<br><br>In 2019, she was awarded His Majesty the King\u2019s Medal for her contributions to music. She plays a Stradivarius violin from 1709, kindly on loan from the J\u00e4rn\u00e5ker Foundation, as well as a Candi viola and a Del Ges\u00f9 copy by Stephan von Baehr.<br><a href=\"https:\/\/eur03.safelinks.protection.outlook.com\/?url=http%3A%2F%2Fwww.malinbroman.com%2F&#038;data=05%7C02%7Csusanne.aschan%40norrlandsoperan.se%7C74ef05ce5b914bc067e308de51ae10ff%7C72e8a51c7e7d41889567a08b7672027c%7C0%7C0%7C639038005222449463%7CUnknown%7CTWFpbGZsb3d8eyJFbXB0eU1hcGkiOnRydWUsIlYiOiIwLjAuMDAwMCIsIlAiOiJXaW4zMiIsIkFOIjoiTWFpbCIsIldUIjoyfQ%3D%3D%7C0%7C%7C%7C&#038;sdata=0iMcpsk1NfoACzBdwckuqtRKIbnnGog9hhHUsaorHN4%3D&#038;reserved=0\">www.malinbroman.com<\/a><br><\/p>\n\n\n\n<picture class=\"wp-block-noor-blocks-image nb-mask nb-image\" style=\"width:300px;height:200px\"><img src=\"https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2025\/08\/malinb_MB-4031_web.jpg\" loading=\"eager\" decoding=\"async\" srcset=\"https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2025\/08\/malinb_MB-4031_web.jpg 1300w, https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2025\/08\/malinb_MB-4031_web-1024x683.jpg 1024w, https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2025\/08\/malinb_MB-4031_web-150x150.jpg 150w, https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2025\/08\/malinb_MB-4031_web-300x200.jpg 300w\" sizes=\"(max-width: 300px) 100vw, 300px\" class=\" object-fit-contain object-position-center\"><\/picture>\n<\/div>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-norrlandsoperan-blocks-accordion-item accordion-item\"><div class=\"no-accordion-header\"><button class=\"no-accordion-button collapsed\" type=\"button\" data-bs-toggle=\"collapse\" data-bs-target=\"#no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4-2\" aria-expanded=\"false\" aria-controls=\"no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4-2\"><img decoding=\"async\" class=\"no-accordion-header-img\" src=\"https:\/\/norrlandsoperan.se\/wp-content\/uploads\/2024\/04\/NOSO-mar-2023-3933-web-150x150.png\" alt=\"The Norrlands Opera Symphony Orchestra\"\/><span class=\"accordion-button-text\">The Norrlands Opera Symphony Orchestra<\/span><span class=\"accordion-button-icon\"><svg width=\"24\" height=\"24\" viewBox=\"0 0 32 32\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path fill-rule=\"evenodd\" clip-rule=\"evenodd\" d=\"M7.99821 16C7.99821 15.7347 8.10357 15.4804 8.2911 15.2929C8.47864 15.1053 8.733 15 8.99821 15L20.5842 15L16.2902 10.708C16.1972 10.615 16.1235 10.5046 16.0732 10.3831C16.0228 10.2616 15.9969 10.1314 15.9969 9.99996C15.9969 9.86847 16.0228 9.73827 16.0732 9.61679C16.1235 9.49531 16.1972 9.38494 16.2902 9.29196C16.3832 9.19898 16.4936 9.12523 16.615 9.07491C16.7365 9.02459 16.8667 8.9987 16.9982 8.9987C17.1297 8.9987 17.2599 9.02459 17.3814 9.07491C17.5029 9.12523 17.6132 9.19898 17.7062 9.29196L23.7062 15.292C23.7993 15.3848 23.8732 15.4952 23.9236 15.6167C23.9741 15.7382 24 15.8684 24 16C24 16.1315 23.9741 16.2617 23.9236 16.3832C23.8732 16.5047 23.7993 16.6151 23.7062 16.708L17.7062 22.708C17.5184 22.8957 17.2638 23.0012 16.9982 23.0012C16.7327 23.0012 16.478 22.8957 16.2902 22.708C16.1024 22.5202 15.997 22.2655 15.997 22C15.997 21.7344 16.1024 21.4797 16.2902 21.292L20.5842 17L8.99821 17C8.733 17 8.47864 16.8946 8.2911 16.7071C8.10357 16.5195 7.99821 16.2652 7.99821 16Z\" fill=\"currentColor\"><\/path><\/svg><\/span><\/button><\/div><div id=\"no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4-2\" class=\"accordion-collapse position-relative collapse\" data-bs-parent=\"#no-accordion-3e013f49-6545-4c8d-a90c-5bde000066f4\"><div class=\"no-accordion-body\">\n<div class=\"wp-block-noor-blocks-group nb-group d-flex flex-column row-gap-24\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Violin I<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Justyna Jara, Lina Samuelsson, Miguel Chamorro, Isaac Bachs Vi\u00f1uela, Matias Malmqvist, Kitiara Braune, Per-Erik Andersson, Amandus Lind<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Violin II<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Pontus Bj\u00f6rk, Andreas Olsson, Arly Rivero, Mikhail Zatin, Kersti Wilhelmsson, Felicia M\u00f6ller, EvaBritt Molander<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Viola<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Riika Repo, Ester Forsberg, \u00c5sa Hjelm, Johanne Skaansar, Dusica Cvijanovic<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Cello<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Josef Alin, Bekhbat Tsagaanchuluun, Karin Bjurman, Kerstin Isaksson, Kristina Tereschatov<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Double bass<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Jan-Emil Kuisma, Charlotte Petersson, Josefin Landm\u00e9r<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Flute  <\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Annica de Val, Lovisa Stenberg<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Oboe<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Emmanuel Rolland-Bezem, Johannes \u00d6gren, Fiona Jones<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Clarinet<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Tania Villasuso Couceiro, Jonas Olsson Hakelind, Jonas Losciale  <\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Bassoon<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Peter Bolton, Maria Kindell<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Horn<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Orvar Johansson, Yerang Ko, Edna Fernandes, Anders Kjellberg<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Trumpet<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Malin Silbo-Ohlsson, Andreas Carlsson Walleng<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Trombone<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Peter Nygren, Daniel Bjerhag Hedin, Mathias Petersson<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Tuba<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Linus Mattsson<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Timpani<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Ian Pini\u00e9s<\/p>\n\n\n\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Percussion<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Maximiliano Polo, Albin Valastig<\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Learn more about the Norrlandsoperan Symphony Orchestra here: <a href=\"https:\/\/norrlandsoperan.se\/en\/the-norrlandsoperan-symphony-orchestra\/\">norrlandsoperan.se\/norrlandsoperans-symfoniorkester<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div>\n<\/div>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" style=\"margin-top:var(--wp--preset--spacing--80);margin-bottom:var(--wp--preset--spacing--80)\"\/>\n\n<div class=\"wp-block-noor-blocks-row nb-row row\">\n<div class=\"wp-block-noor-blocks-column col nb-column\">\n<h4 class=\"wp-block-noor-blocks-heading nb-heading nb-cursor-default nb-heading-h4\">Pursuant to<\/h4>\n\n\n\n<p class=\"wp-block-noor-blocks-paragraph nb-paragraph\">Norrlandsoperan is 60% owned by Region V\u00e4sterbotten and 40% by the City of Ume\u00e5. We receive grants from the Swedish Arts Council.<br\/><br\/>Many thanks to all our donors, sponsors, and partners.<\/p>\n<\/div>\n<\/div>\n\n                <\/div>\n            <\/div>\n        <\/div>\n        <\/div>\n    <\/div>\n                <\/div>\n            <\/div>\n        <\/div>","protected":false},"excerpt":{"rendered":"<p>The dynamic duo Simon Crawford-Phillips and Malin Broman present an evening dedicated to Swedish music. The program features the world premiere of Benjamin Staern\u2019s *Det Eviga*, followed by a soloist showcase in Daniel B\u00f6rtz\u2019s *Double Concerto for One*. The evening comes to a gentle close with Mozart\u2019s lovely Symphony No. 39.  Norrlandsoperan || January 15, 2026. Running time: approx. 2 hours, including a 30-minute intermission. Join us for an introduction at 6:25 p.m. in the Public Foyer.<\/p>\n","protected":false},"author":9,"featured_media":17067,"parent":0,"menu_order":0,"template":"","meta":{"program_kicker":"Konsertprogram","event":12260,"archived_program":false,"footnotes":""},"class_list":["post-25298","program","type-program","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>B\u00f6rtz and Mozart - Norrlandsoperan<\/title>\n<meta name=\"description\" content=\"The super duo Simon Crawford-Phillips and Malin Broman present an evening dedicated to Swedish music. The program features the world premiere of Benjamin Staern\u2019s *Det Eviga*, followed by a soloist showcase in Daniel B\u00f6rtz\u2019s *Double Concerto for One*. The program concludes gently with Mozart\u2019s lovely Symphony No. 39. Norrlandsoperan || January 15, 2026. Running time: approx. 2 hours, including a 30-minute intermission. Join us for an introduction at 6:25 p.m. in the Public Foyer.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/norrlandsoperan.se\/en\/programblad\/bortz-and-mozart\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"B\u00f6rtz and Mozart - Norrlandsoperan\" \/>\n<meta property=\"og:description\" content=\"The super duo Simon Crawford-Phillips and Malin Broman present an evening dedicated to Swedish music. The program features the world premiere of Benjamin Staern\u2019s *Det Eviga*, followed by a soloist showcase in Daniel B\u00f6rtz\u2019s *Double Concerto for One*. The program concludes gently with Mozart\u2019s lovely Symphony No. 39. Norrlandsoperan || January 15, 2026. 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