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Tristan and Isolde

The opera of the operas, Richard Wagner’s delirium of love Tristan and Isolde, takes over the Norrland Opera. The work has horrified moralists and captivated audiences for almost 160 years. The chaste knight’s tale of Tristan, who cannot possibly be reconciled with his Isolde, is charged in Wagner’s garb with an undercurrent of erotic power – it is daring and maxed out – just as a Wagner opera should be. Don’t miss this year’s cultural event.

Norrlandsoperan || 25 October – 22 November 2025

Opera

Isolde’s longing is everyone’s longing

Since its premiere in Munich in 1865, Tristan and Isolde has bewitched audiences all over the world. The bittersweet theme of longing for love, namely that between the knight Tristan and the Irish king’s daughter Isolde, who is only and first, redeemed in death, is as titillatingly strong today as it was 160 years ago. This year, Norrlandsoperan gives visitors the opportunity to experience this almost five-hour long, delirically maxed out love opera in their own house. Award-winning rising star Åsa Jäger from Umeå sings Isolde, while Greek tenor star Dimitris Paksoglou sings Tristan. The opera is conducted by Norrlandsoperan Symphony Orchestra’s chief conductor Eduardo Strausser and the direction is Dan Turdén, the house’s artistic director of opera.

Wagner’s portrayal of the theme – through the music’s painfully sweet build-up to the climax – was for its time as radical as it was subversive. Even then, the morality police warned against the opera’s erotic appropriation and diabolical attraction but, it turned out, in vain. The opera has come to have iconic status, and its fame does not seem to be waning. Perhaps this is due to the opera’s symbolic effect. In a kind of figurative sense, Tristan and Isolde’s unresolved longing can also be said to illustrate the listener’s longing for the completed experience of art, both dramatically and harmoniously. To experience Tristan and Isolde is, seen in this light, to give in to one’s own longing.

For a consummate epic Wagnerafton

For Tristan and Isolde , we want to offer a complete opera experience with the possibility of food and drink, generous intervals and magnificent musical theatre, something that is completely in line with how Wagner himself envisioned his operas to be performed. In Wagner’s opera house in Bayreuth, you would be cleansed through art, food and nature and surrender to the theatre experience.

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Three-course opera menu Tristan and Isolde: highlights

Bistro

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Information

Prices
Epic Wagnerrafton

The performance has three acts and is almost five hours long, including two intermissions. First intermission: 30 minutes, second intermission 50 minutes.

Highlights

The performance is also done in an abridged version that is 2 hours and 30 minutes long incl. 30 minutes intermission, with musical highlights and where a narrator, Hannes Meidal from the Royal Dramatic Theatre, fills in the gaps in the story.

Language

Sung in German with both Swedish and English subtitles.

Introduction

Please join us for the introduction 30 minutes before the curtain rises, in the lobby. The concession stand opens one hour before the show begins.

Opera subscription

This gem is included in our fine opera subscription for the 25/26 season.

Do you also want to get unique benefits and discounts? Sign up for an opera subscription!

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Audio Description

The performance on November 20 offers audio description.

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Artistic Team & Cast

Composer and Libretto

Richard Wagner

Orchestral arrangements

David Björkman

Conductor

Eduardo Strausser

Director

Dan Turdén

Set Designer & Costume Designer

Kari Gravklev

Lighting designer

Mathias Lundgren

Mask Designer

Angelica Ekeberg

Opera singer

Isolde: Åsa Jäger

Tristan: Dimitris Paksoglou

Brangäne: Dorottya Láng

King Mark: Markus Schwartz

Kurwenal: Olle Persson

Melot, a shepherd and sailor’s voice: Kristofer Lundin

One mate: Anders Lundström

Norrlandsoperan’s men’s chorus

Musician

The Norrlands Opera Symphony Orchestra